646f9e108c Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...
"Os Imortais" is without a doubt one of the best, or probably, the best Portuguese film ever made. It certainly is a landmark on the Portuguese cinema's scene; this movie his worth every minute. <br/><br/>Every year, four ex-soldiers that call themselves "Os Imortais" (translated "The Immortals"), get together with four women to celebrate war deeds and to remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police about to retire, crosses their path and will spend his last days of duty trying to solve the robbery. But has he carries on with his investigation, he discovers more than he could ever think of.<br/><br/>A movie that focuses on strange and disturbing actions of ex-soldiers on their attempt to fit in the modern society and to mend errors committed in the past, and on a veteran cop who's about to leave his working-life behind.<br/><br/>João Pedro de Vasconcelos managed to assemble a cast with vast qualities; it's a pleasure to watch Nicolau Breyner's performance. The story is very solid and can really catch the viewer's attention; it keeps the anxiety of knowing what really happened during the robbery and the days that followed it.<br/><br/>"A bandit always forgets that there is, at least, another bandit smarter than him."
With a big, big cast, full of famous portuguese actors, Vasconcelos goes back to the crime and shows us a country in the mid 80's, ready to begin looking forward but still too much attached to its memories of war in Africa. 5 bad men from the army return to Portugal, but they're not yet ready to fit he social scheme, and so start to get involved with drug dealing, arms, and a lot of bruises to women. One inspector, at the end of his career, will be the only one to get close to the truth... but will he get there in time? A movie that brilliantly uses a past of TV images to tell parts of the story and a movie that reflects the cinema in Portugal, placing the past each time more in the past.